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Friday, April 21, 2006

Ripped From Vinyl: Kelley Polar, Pierre, Brakes
Kelley Polar - "Here in the Night (Long Version)" (MP3), from the Album Sampler Vol. 2 12": By day Kelley Polar plays viola in a chamber group and tends to cows on his bucolic New Hampshire farm. By night this former Julliard student writes silky and orchestral urban disco, both on his own and as the strings arranger for the esteemed Metro Area. This extended take on the smooth "Here in the Night" is taken from the second sampling of tracks from Polar's debut album Love Songs of the Hanging Gardens. The sampler is available for purchase at Environ.

Pierre - "Eva Blunt (Frank Martiniq Remix)" (MP3), from The Eva Blunt EP 12": A foreboding cauldron of dark noises and squishy beats, "Pierre" aims not to destroy through brute and obvious force, but to stalk about the boundaries, waiting for the right moment to strike with stealth. Not recommended for the paranoid.

Brakes - "All Night Disco Party (FC Kahuna Remix)" (MP3), from the All Night Disco Party 12": Taking a break (no pun intended) from writing two minute punk(ish) songs, Brakes spin out an indie dance workout that's already been called the "anthem of the summer" in Italy.
posted by jason @ 5:48 PM  LINK |
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Dinosaur L
Dinosaur L
"#5 (Go Bang)"
"#7 (Recorded Live at the Kitchen, 1979)"
Not that it takes much, but the trailer for the upcoming Arthur Russell documentary got me onto an AR kick the other day, and I headed for Dinosaur L's 24-24 Music. 24-24 is thought by some to be the gem of Russell's dancier material, and it'll hopefully be reissued soon. The Francois K remix of its masterstroke "#5 (Go Bang)" kicks off 2004's The World of Arthur Russell compilation, but I actually prefer the 24-24 original (MP3). When I first heard 24-24, though, the standout for me was far more fleeting. The two-minute "#7 (Recorded Live at the Kitchen, 1979)" (MP3) is a tantalizingly short slice of a session I hope is sitting in full in a vault somewhere. Russell's cello anchors a percussive horn-guitar groove that quickly recalls (or, I should say, previews) !!! and others. And, like much of Russell's music, I love it not only for its sound but also for the era of NYC it instantly evokes.

- rajeev, 12.14.06
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