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Thursday, September 15, 2005

Other People's CMJ Day 1
I went to a whopping zero CMJ-related shows last night, so I have no personal experiences to relate. My fun will start tonight with the Arcade Fire (and maybe David Bowie) at Central Park. I hope the rain holds off.

Here are a few reports on night one from the blogosphere:

- The Underrated Blog overindulges on the drinks and abstains from sleep to catch Sam Champion, Levy, The Cribs, and Jaymay.

- The Brooklyn Vegan went to a bunch of shows. Surprised? After hosting his own pre-CMJ showcase the night before, he still had the energy to catch Tim Fite, Youth Group, Motion City Soundtrack, Kaki King, Devendra Banhart, and Make Believe. He doesn't provide much commentary, but his photos speak a thousand words.

- Chris (of Chris's Music Snobbery) checks out Doves at Warsaw.

- If I didn't have Arcade Fire tickets for tonight, I'd probably head over to Pianos for the KCRW showcase with the iOs, Goldspot, She Wants Revenge, and The 88. I commented yesterday on my addiction to Goldspot and offered a couple MP3s from the iOs last week. This event starts with the iOs at 7:30 and Goldspot at 8:30, so get there early.
posted by jason @ 11:38 AM  LINK |
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Dinosaur L
Dinosaur L
"#5 (Go Bang)"
"#7 (Recorded Live at the Kitchen, 1979)"
Not that it takes much, but the trailer for the upcoming Arthur Russell documentary got me onto an AR kick the other day, and I headed for Dinosaur L's 24-24 Music. 24-24 is thought by some to be the gem of Russell's dancier material, and it'll hopefully be reissued soon. The Francois K remix of its masterstroke "#5 (Go Bang)" kicks off 2004's The World of Arthur Russell compilation, but I actually prefer the 24-24 original (MP3). When I first heard 24-24, though, the standout for me was far more fleeting. The two-minute "#7 (Recorded Live at the Kitchen, 1979)" (MP3) is a tantalizingly short slice of a session I hope is sitting in full in a vault somewhere. Russell's cello anchors a percussive horn-guitar groove that quickly recalls (or, I should say, previews) !!! and others. And, like much of Russell's music, I love it not only for its sound but also for the era of NYC it instantly evokes.

- rajeev, 12.14.06
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