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Wednesday, September 28, 2005

Calla Record Release and Performance @ Brooklyn Lyceum, TOMORROW
Are Calla just another Brooklyn band to ignore? Or are they a Brooklyn band that is unjustly ignored? So few questions and so much time to figure it out. Wait, reverse that. I don't know if the scenester masses are turned on to Calla or not, perhaps it doesn't matter. I've quite enjoyed their dark new album, Collisions, the five or six times I've played it. You can stream a couple of the new tracks on the band's MySpace page.

Tomorrow night, the Beggars Banquet publicity machine kicks into gear to promote Collisions. For the curious:
Come out to celebrate the release of the new CALLA record, "Collisions." Join us for a special show at the Brooklyn Lyceum, located in a part of the borough that could be Park Slope or Gowanus, depending on if you're a realtor or whatnot. As an added bonus, a branch of Schnack (they of delicious burgers and hot dogs) has opened up at the Lyceum!

Thursday, September 29
Brooklyn Lyceum (www.gowanus.com)
227 4th Avenue
Brooklyn, NY 11215
718-857-4816
DJ at 7PM
CALLA performs at 8PM

Tickets are $10 and sale online through www.gowanus.com.
Hard tickets are also available at Other Music and Sound Fix (NYC)
posted by jason @ 4:00 PM  LINK |
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Dinosaur L
Dinosaur L
"#5 (Go Bang)"
"#7 (Recorded Live at the Kitchen, 1979)"
Not that it takes much, but the trailer for the upcoming Arthur Russell documentary got me onto an AR kick the other day, and I headed for Dinosaur L's 24-24 Music. 24-24 is thought by some to be the gem of Russell's dancier material, and it'll hopefully be reissued soon. The Francois K remix of its masterstroke "#5 (Go Bang)" kicks off 2004's The World of Arthur Russell compilation, but I actually prefer the 24-24 original (MP3). When I first heard 24-24, though, the standout for me was far more fleeting. The two-minute "#7 (Recorded Live at the Kitchen, 1979)" (MP3) is a tantalizingly short slice of a session I hope is sitting in full in a vault somewhere. Russell's cello anchors a percussive horn-guitar groove that quickly recalls (or, I should say, previews) !!! and others. And, like much of Russell's music, I love it not only for its sound but also for the era of NYC it instantly evokes.

- rajeev, 12.14.06
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