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Wednesday, July 27, 2005

Siouxsie & the Banshees Reissues Coming
2005 may become a great year for fans of classic Goth. First Bauhaus played Coachella in the Spring and then announced a forthcoming world tour and new album. Now the entire Siouxsie & the Banshees catalog will be remastered and reissued.

The first album to be upgraded will be The Scream, the Banshees' debut album released in 1978. NME provides the tracklisting for the original material, plus a bonus CD of early demos, singles, and a Peel session.

Here's the full tracklisting:

Disc One

Pure / Jigsaw Feeling / Overground / Carcass / Helter Skelter / Mirage / Metal Postcard / Nicotine Stain / Suburban Relapse / Switch

Disc Two

Make Up To Break Up (Riverside Session) / Love In A Void (Peel Session) / Mirage (Peel Session) / Metal Postcard (Peel Session) / Suburban Relapse (Peel Session) / Hong Kong Garden (Peel Session) / Overground (Peel Session) / Carcass (Peel Session) / Helter Skelter (Peel Session) / Metal Postcard (Pathway Session) / Suburban Relapse (Pathway Session) / Staircase (Mystery) (Pathway Session) / Mirage (Pathway Session) / Nicotine Stain (Pathway Session) / Hong Kong Garden (7" Single Version) / Staircase (Mystery) (7" Single Version)
posted by jason @ 10:47 AM  LINK |
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check it
Dinosaur L
Dinosaur L
"#5 (Go Bang)"
"#7 (Recorded Live at the Kitchen, 1979)"
Not that it takes much, but the trailer for the upcoming Arthur Russell documentary got me onto an AR kick the other day, and I headed for Dinosaur L's 24-24 Music. 24-24 is thought by some to be the gem of Russell's dancier material, and it'll hopefully be reissued soon. The Francois K remix of its masterstroke "#5 (Go Bang)" kicks off 2004's The World of Arthur Russell compilation, but I actually prefer the 24-24 original (MP3). When I first heard 24-24, though, the standout for me was far more fleeting. The two-minute "#7 (Recorded Live at the Kitchen, 1979)" (MP3) is a tantalizingly short slice of a session I hope is sitting in full in a vault somewhere. Russell's cello anchors a percussive horn-guitar groove that quickly recalls (or, I should say, previews) !!! and others. And, like much of Russell's music, I love it not only for its sound but also for the era of NYC it instantly evokes.

- rajeev, 12.14.06
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