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Monday, April 25, 2005

How Could I Forget?

Up until yesterday afternoon I had completely forgotten that I had tickets to the Shins tonight at Webster Hall. Yeah! The Shins! While I'm happy to see their popularity growing, I'll miss standing five feet back from the stage at the Bowery Ballroom, exchanging Spinal Tap jokes with the band. I'm not going to begrudge them their success, but I hope they'll throw in a few "small" (Bowery or Irving Plaza would be fine) shows in the mix in the future.

- View the new video for "Pink Bullets" from Chutes Too Narrow.

Previous Shins coverage on One Louder:

- The Shins - Bowery Ballroom 5.9.04

- Of Montreal cover "Know Your Onion"

- The Shins cover T-Rex's "Baby Boomerang"

Elsewhere:

- Download M83's remix of Bloc Party's "Pioneers" (MP3). [via The Big Ticket]

- Listen to Goldfrapp's musical score for the upcoming British film My Summer of Love.

- Download "It's You" by Animal Collective (MP3), featuring Vashti Bunyan, from the new Animal Collective EP. [via Cred Central]

- Check out this grrreat rundown of Joy Division covers by Spoilt Victorian Child. [via Ultragrrrl]
posted by jason @ 11:17 AM  LINK |
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check it
Dinosaur L
Dinosaur L
"#5 (Go Bang)"
"#7 (Recorded Live at the Kitchen, 1979)"
Not that it takes much, but the trailer for the upcoming Arthur Russell documentary got me onto an AR kick the other day, and I headed for Dinosaur L's 24-24 Music. 24-24 is thought by some to be the gem of Russell's dancier material, and it'll hopefully be reissued soon. The Francois K remix of its masterstroke "#5 (Go Bang)" kicks off 2004's The World of Arthur Russell compilation, but I actually prefer the 24-24 original (MP3). When I first heard 24-24, though, the standout for me was far more fleeting. The two-minute "#7 (Recorded Live at the Kitchen, 1979)" (MP3) is a tantalizingly short slice of a session I hope is sitting in full in a vault somewhere. Russell's cello anchors a percussive horn-guitar groove that quickly recalls (or, I should say, previews) !!! and others. And, like much of Russell's music, I love it not only for its sound but also for the era of NYC it instantly evokes.

- rajeev, 12.14.06
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